[...] What is astonishing is the precision with which Morales composes this instability. Many contemporary works that speak of the “in-between” fall into aesthetic arbitrariness. Liminality never does. Every interruption carries weight, every acceleration has dramaturgical necessity. One senses that what is shown here is not improvised uncertainty, but a highly structured choreography of losing control.

[...] With Liminality, Cooperativa Maura Morales presents an uncompromising, precise choreography. The fearless presence of the dancers and Michio Woirgardt’s inspiring live composition combine into an unpretentious and all the more powerful work of rare cohesion. It is a dance piece about the in-between — and at the same time a plea not to rush past the threshold, but to endure it as a place of transformation.
Rarely has a contemporary dance work made the beauty of uncertainty so convincing and, at the same time, so engaging to witness.

[...] Michio Woirgardt’s live composition plays a significant part in the intensity of the evening. His music does not merely accompany the choreography; it breathes with it. Electronic soundscapes, rhythmic impulses and abrupt silences form a second layer of the liminal experience. Particularly within the open architecture of the courtyard, an acoustic space emerges that is constantly shifting: sounds seem to cling to the walls, vanish into the sky, and return from afar.

-> Read the full article von Klaus Dilger for Tanzweb Krefeld